A black and white abstract illustration of a person holding a large pair of scissors and a pair of tweezers, standing among rocks and splatters of ink.
A black and white abstract art piece with geometric shapes, textured patterns, and scattered shredded paper on a flat surface.
Black ink drawing of a flower with leaves, roots, and some abstract splatters and shapes around it.

objects of affection

Close-up of a textured paper with handwritten text, showing a dark printed image on the paper.
Black and white illustrated scene of a person standing on a cliff's edge, looking out at a distant landscape, with bold shadows and abstract details.

INFO

Diana Valeanu

Diana Valeanu is an artist from Chișinău, Moldova, living and working in Barcelona, Spain.

She studied Industrial and Product Design at the Technical University of Moldova, where she developed a strong foundation in visual thinking and conceptual design, which later informed her artistic practice.

For several years, Diana has been the illustrator and creative force behind absurd.design, a project she founded in 2019 with the vision of bringing a more human presence to the digital world. Through her distinctive illustration practice, she creates thought-provoking imagery that draws viewers into spaces of imagination and introspection.

Alongside her work with absurd.design and select creative collaborations, Diana continues to refine her artistic language, experimenting with diverse media to translate ideas and observations into compelling visual metaphors.

Much of her practice unfolds digitally, but she embraces both analog and digital techniques, often merging the two to develop a distinctive aesthetic. This approach bridges traditional and digital artistry while revealing the distinctive characteristics that emerge from their interaction.

At the core of her creative vision lies an appreciation for the human touch and a sustained interest in the inner mechanisms of the human mind, exploring how perception, memory, and emotion shape individual experience.

Whether on paper, a graphic tablet, or between both, she embraces the organic imperfections of hand-drawn form as essential traces of human presence. These marks lend each work individuality, where authenticity emerges through imperfection and subtle tension.